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City Lights Publishers Forthcoming Books


Offer is good for orders placed through the internet. International orders will require additional postage.Please see our Ordering Information page for more info.

All City Lights Books are available in the City Lights Bookstore (Map & Directions) and at other fine bookstores around the country. Also, see our Complete Catalog and Forthcoming Books

City Lights 2006/ 2007 Catalog
I'jaam: An Iraqi Rhapsody by Sinan Antoon
Outcast by Shimon Ballas
Illusions of Security by Maureen Webb
Criminal of Poverty by Lisa Gray-Garcia (aka. Tiny)
A Power Governments Cannot Suppress by Howard Zinn
Howl on Trial by Bill Morgan & Nancy J. Peters
The Other Campaign by Subcomandante Marcos
Dear President Bush by Cindy Sheehan
Jumping Over Fire by Nahid Rachlin
The Yage Letters Redux by William S. Burroughs
Hello I'm Special by Hal Niedzviecki


I’jaam I’jaam: An Iraqi Rhapsody
By Sinan Antoon
ISBN 0-87286-457-x
Paperback, 168 pp
$11.95 | See a schedule of Antoon's upcoming readings and events
$8.37


An inventory of the General Security headquarters in central Baghdad reveals an obscure manuscript. Written by a young man in detention, the prose moves from prison life, to adolescent memories, to frightening hallucinations, and what emerges is a portrait of life in Saddam’s Iraq.

In the tradition of Kafka’s The Trial, or Orwell’s 1984, I’jaam offers an insight into life under an oppressive political regime and how that oppression works. This is a stunning debut by a major young Iraqi writer-in-exile.

"Sinan Antoon writes with an assurance of voice, a clear redefinition of form and narrative, and compelling and beautiful language. Iraqi in origin, but global in its scope, this book is deeply human." – Chris Abani, author of The Virgin of Flames and GraceLand

"Sinan Antoon's I'Jaam is a stunning work, as it brings to the present a world of terror we know about, we have previously read about, but which usually seems remote, unreal. It takes a great talent to make it so specific, so Iraqi in this case, and so personal. This author shows the particular sadistic humor that goes with cruelty, a "cultural" slant that makes us identify it with the places where it happens. Evil becomes thus both general, universal, and particular. The nightmare gains familiarity, reality." – Etel Adnan, author of Sitt Marie Rose and In the Heart of the Heart of Another Country

“Sinan Antoon’s novel traces, across time, space and faces, how the life of a young generation under a barbaric regime becomes an existential minefield. Life is no more what it is. Everything is a trace of itself. Even daily language is cluttered with debris from the mines of hell. Incessantly targeted in a nightmarish atmosphere, the individual can only save him/herself with the stubbornness of an animal." – Saadi Youssef, author of Without an Alphabet, Without a Face: Selected Poems

"In this beautiful and brilliant novel, Sinan Antoon expresses the voice of those whose voices were robbed by oppression, stressing the fact that literature can at times be the only framework to protect human experiences from falling into oblivion. I`jaam is an honest and exciting window onto Iraq, written with both love and bitter sarcasm, hope and despair. It does not only illuminate reality in Iraq prior to the American invasion, but also the human experience in its insistence on resisting oppression and injustice." – Elias Khoury, author of Gate of the Sun

"Brief, bitter and bracing, I‘jaam displays all the dangerous prismatic grace and light of shattered glass. Nuanced and direct, Antoon’s razor-sharp voice rises out of the prisons and mass graves of Iraq during the era when Saddam Hussein enjoyed U.S. government support and no one heard these voices silenced in their tens and hundreds of thousands. The hopeful tenderness of this voice goes on speaking now, and we can be grateful that a new translation allows us, finally, to hear it. In this time of endless war, it tells (again) a story we needed so many lives ago." – Sesshu Foster, author of Atomik Aztex

Sinan Antoon (Baghdad, 1967) has published in leading international journals and has co-directed, "About Baghdad," an acclaimed documentary about Iraq under U.S. occupation. In June 2007, Harbor Mountain Press will be publishing a book of poetry by Sinan, Baghdad Blues. Read more at www.sinaan.com.


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Outcast Outcast
By Shimon Ballas
Translated from the Hebrew by Ammiel Alcalay and Oz Shelach
ISBN 0-87286-481-2
Paperback, 308 pp
$13.95 | See a schedule of Ballas' upcoming readings and events
$9.77


“Tells readers more about Iraq than many commentaries being offered up these days” – Le Monde

Outcast is narrated by Haroun Soussan, a Jewish convert to Islam. Soussan’s character is based on a historical figure, Ahmad (Nissim) Soussa, who converted to Islam in the 1930s and whose work ended up being used as propaganda during the era of Saddam Hussein. The narrator is a civil engineer and historian who’s just completed his life’s work, The Jews and History. The book opens with his getting an award from the President (Saddam Hussein) during the period of the Iran-Iraq War. The text we are reading, the novel, is his autobiography, written at the age of seventy, where he explores his own personal and political history, including his relationship with his daughter and his friends, among them a militant communist in political exile in Eastern Europe.

Soussan’s narrative moves in and out of the present, the recent and more distant past, providing a unique and intimate chronicle of Iraq’s contemporary political history. His friends and comrades provide pathways into different aspects of Iraqi history, political resistance, repression, and allegiance.
"Reading Shimon Ballas is a journey into the unknown part of the picture. This Iraqi writer who immigrated to Israel when he was a young man represents in his writing the none said in modern Hebrew literature. For the Palestinian victims who became a minority in their homeland, he is one of them, as he is the unspoken voice of conscience for Israeli Jews. This combination has made Ballas’s voice unique in Middle Eastern writing, and completely outside the framework of the official political, biographical, and creative life of contemporary Israel. Reading this literature has been a way for me to discover my mirror and recover the other half of my soul." – Elias Khoury, author of Gate of the Sun

Shimon Ballas was born in Baghdad in 1930 and immigrated to Israel in 1951. Before retirement, he taught Arab Literature there, and now spends part of the year in Paris, where he does most of his writing.


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Illusions of Security Illusions of Security: Global Surveillance and Democracy in the Post-9/11 World
By Maureen Webb
ISBN 0-87286-476-6
Paperback, 304 pp
$16.95 | Hear an interview with Webb on "Democracy Now!"
$11.87 | See a schedule of Maureen's upcoming readings and events


* Did you know that your government is watching you?

* That it buys personal data from private contractors and foreign governments?

* That it collects this information to “predict” whether you might be a terrorist?

* That if you are singled out, no one may be able to help you?

In light of the FBI's abuse of the Patriot Act in obtaining citizens' phone and email records "in the name of national security," this book is a timely and provocative read about what governments should and should not be doing to protect us from further terrorist attacks.

Read about Webb's book in Rick Salutin's column in the Toronto Globe & Mail

"Instead of waiting for a crime to be committed and suspects to be investigated, prosecuted, and convicted, the US government adopted the idea of preempting and disrupting terrorism. Such a profound policy shift justifies any amount of surveillance or guilt by association. And it isn't just the US: governments share suspects, intelligence operation, and policing, and are willing to jettison democracy in return.. . . Is that greater security? Not to Webb." – Wendy Grossman, The Register

"Maureen Webb focuses on what we don't know and makes the overriding point that, in the name of security, electronic surveillance of ordinary citizens has become pervasive and intrusive. And while it is largely ineffective against perceived terrorist threats, she adds, electronic surveillance is proving a boon to private industry -- both those producing the technology and those starting to use it for reasons unrelated to terrorism." – Chris Cobb, The Ottawa Citizen

"Illusions of Security is probably the most comprehensive snapshot to date of official overstretch and incompetence in the 'war on terror;' . . . because every harrowing story of mistaken identity, unlawful detention and personal suffering really happened." – Ottawa Express

“Maureen Webb pulls all the pieces together – special rendition, no-fly lists, biometric surveillance, warrant-less wiretaps, torture – to create a harrowing picture of post 9-11 state repression. This valuable guide makes clear how dramatically civil liberties have been attacked in recent years.” – Christian Parenti, author of The Freedom: Shadows and Hallucinations in Occupied Iraq, The Soft Cage and Lockdown America

"Through the various 'frozen scandals' of the War on Terror – from extraordinary rendition to torture to warrant-less wiretapping and surveillance – runs a single theme: the Bush Administration's obsessive concern with 'the preemption of risk.' In Illusions of Security, Maureen Webb manages to construct a broader, compelling narrative out of what had seemed the isolated abuses of a single government, and to follow that grim narrative fearlessly where it leads: to a darker, less democratic and more frightening future." – Mark Danner, author of Torture and Truth: America, Abu Ghraib and the War on Terror

"'Your government is spying on you, and it's going to get worse until we do something about it,’ is Maureen Webb's message in her brilliant, much needed new book. In measured, lucid detail, Webb presents a wide-ranging account of the emerging global network of surveillance that is infringing on the personal privacy and civil liberties of people in the United States and worldwide." – Nadine Strossen, President, ACLU

"Illusions of Security is a thorough and terrifying compendium of the threats to democracy posed by the unquestioning use of technology. Maureen Webb portrays a frightening image of high-placed officials playing with their technological toys; meanwhile the real world – and its real insecurities – elude them." – Ellen Ullman, author of The Bug: A Novel and Close to the Machine

“Tracking the myriad ways in which governments – aided by advanced technology and profit-hungry corporations – are monitoring and manipulating us, she reminds us that the only predictable consequence of it all is human suffering, with little or no increase in real security.” – Robert Jensen, University of Texas at Austin professor and author of The Heart of Whiteness and Citizens of the Empire

"She has riveted our attention on the scale and capacity of the global surveillance system that has been set up since the terrorist outrages of 2001. This is a compelling book and it should be compulsory reading." – Jeremy Waldron, Professor of Philosophy, NYU and author of The Dignity of Legislation and Law and Disagreement

“Maureen Webb exposes deep and wide how the erosion and destruction of civil liberties and human rights on an international scale may well be the death knell for democracy. She issues a provocative challenge in these pages: can we roll back the emerging police state out of our constitution and imagine a world ruled human rights, law and mutual cooperation?” – Arnoldo Garcia, National Network for Immigrant and Refugee Rights

"Webb focuses her criticism on the governments of Canada and the United States, but persuasively documents international cooperation on illegal, or at least immoral, high-tech information gathering. Webb also writes in detail about how governments, following the lead of the Bush administration, use 'terrorism' as an excuse to 'serve agendas that go far beyond security from terrorism – namely the suppression of dissent, harsh immigration and refugee policies, increased law enforcement power,' and the consolidation of political power within governments, and in exerting control over national populations." – ALA Booklist

"George Orwell and Michel Foucault together could not have imagined the future that Maureen Webb warns is already here – a state of global surveillance that challenges all of our most deep-seated expectations of privacy. Highly readable and critically important. Read it to see who's watching you." – David Cole, author of Enemy Aliens: Double Standards and Constitutional Freedoms in the War on Terrorism

Maureen Webb is a human rights lawyer and activist. She has spoken extensively on post-September 11 security and human rights issues, most recently testifying before the House and Senate Committees reviewing the Canadian Anti-terrorism Act. In 2001, Webb was a Fellow at the Human Rights Institute at Columbia University in New York. A litigator for some of the first constitutional cases heard under Canada’s Charter of Rights and Freedoms, including the landmark freedom of association case, “Lavigne, “and a case challenging the powers of Canada’s newly instituted spy agency, CSIS, she sits as co-chair of the International Civil Liberties Monitoring Group. She is also the Coordinator for Security and Human Rights issues for Lawyers’ Rights Watch Canada.


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Criminal of Poverty Criminal of Poverty: Growing Up Homeless in America
By Tiny, a.k.a. Lisa Gray-Garcia
A City Lights Foundation Book
ISBN 1-931404-07-0
Paperback, 278 pp
$15.95 | Read a recent review in the San Francisco Chronicle
$11.17 | See a schedule of Tiny's upcoming readings and events


A daughter’s struggle to keep her family alive, through poverty, homelessness and incarceration

Eleven-year-old Lisa becomes her mother’s primary support when they face the prospect of homelessness. As Dee, a single mother, struggles with the demons of her own childhood of neglect and abuse, Lisa has to quickly assume the roles of an adult in an attempt to keep some stability in their lives. “Dee and Tiny” ultimately become underground celebrities in San Francisco, squatting in storefronts and performing the “art of homelessness.” Their story, filled with black humor and incisive analysis, illuminates the roots of poverty, the criminalization of poor families and their struggle for survival.

"Something inside all of us will awaken when we read this book and bear witness to the excruciating plight of our generation's poor. With unflinching courage Lisa Gray-Garcia brings the raw events of her childhood to the page. She de-centers us with her searing images of destitution and blows us away with her resolve to beat it. We are not the same after reading this hellish tale of a young girl's struggle to survive." -- Yannick Murphy, author of Here They Come

"Criminal of Poverty lays bare the devastating effects of inheriting a life of poverty, as well the real redemption and power in finding your voice." – Michelle Tea, author of Rose of No Man's Land and Valencia

"Tiny’s indomitable spirit comes to life in her amazing story of poverty and homelessness, reaching into and teaching our hearts and minds. With her flawless descriptions of the pain of living in the margins of the richest country in the world, she opens up an important window onto a reality looked upon by many but truly seen by few, augmenting our capacity for empathy and action in an area so in need of social change. Bravo Tiny, for your gift to us all! Punto!!!" – Piri Thomas, author of Down These Mean Streets

"Most books on poverty or the poor are written by people who have never been really poor, or are individualistic tales of a bootstrap pull that separates the (once) poor person from society as a whole. Tiny, a.k.a Lisa Gray-Garcia, has written an eloquent, graceful and refreshingly humor-filled book that tells a story which places poverty in a larger social, spiritual and political context. It challenges the reader to let go of clichés and catch phrases about the poor and homeless and see a population of struggling, hard working survivors who can work miracles when given proper support. It also is a compelling love story of a mother and daughter who surmount hurdles and climb out of pits that would defeat many, while building ladders and twining rope so that others can join them in their ongoing efforts to bring more and more people out of the quagmire of relentless poverty, hunger and hopelessness." – devorah major, author of where river meets ocean and Brown Glass Windows

"In America we prefer not to see our poor. Only if we turn determinedly away can we maintain the illusion that we are not all responsible, not all culpable. Lisa Gray-Garcia won't let us avert our eyes. With style and verve she hauls our unwilling attention to what matters. If your heart is unmoved when you finish this memoir, then it's made of stone." – Ayelet Waldman author of Love and Other Impossible Pursuits

Lisa Gray-Garcia is a journalist, poet and community activist. She is the founder of POOR magazine and the PoorNewsNetwork (PNN), a monthly radio broadcast and an online news service focused on issues of poverty and racism.



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A Power Governments Cannot Suppress A Power Governments Cannot Suppress
By Howard Zinn
ISBN 0-87286-475-8
Paperback, 308 pp
$16.95 | Howard Zinn in the news
Hear a recent interview with Howard Zinn on Media Matters
$11.87 | Howard Zinn's upcoming events


“Zinn writes with an enthusiasm rarely encountered in the leaden prose of academic history. . .” – New York Times Book Review

A Power Governments Cannot Suppress is Howard Zinn’s major new collection of essays on American history, class, immigration, justice, and ordinary citizens who have made a difference.

Howard Zinn unlocks America’s current political/ ethical crisis and challenges us to confront power for the common good. Bringing a profoundly human perspective to the diverse subjects he writes about – the Founding Fathers, government dishonesty, winning the war on terrorism, respecting the holocaust, defending the rights of immigrants – Zinn approaches history from an active, engaged point of view. He writes, “America’s future is linked to how we understand our past. For this reason, writing about history, for me, is never a neutral act.”

Zinn opens the book with an essay titled “If History is to be Creative,” a reflection on the role and responsibility of the engaged historian. “To think that history-writing must aim simply to recapitulate the failures that dominate the past,” writes Zinn, “is to make historians collaborators in an endless cycle of defeat.” “If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, and occasionally win. I am supposing, or perhaps only hoping, that our future may be found in the past’s fugitive moments of compassion rather than in its solid centuries of warfare.”

Buzzing with ideas, stories, and anecdotes spanning from the Revolutionary War and the War with Mexico through to World War II, Vietnam, 9/11, and the U.S. occupation of Iraq, Zinn’s view of American history is not a praise of famous leaders, but those who rebelled against them in the name of social justice. While writing extensively on current events and the consequences of U.S. policy in Afghanistan and Iraq, Zinn also dedicates entire chapters to troublemakers like Henry David Thoreau, Eugene Debs, Philip Berrigan, Italian immigrants Sacco & Vanzetti, and heralds not the soldiers who fought for George Washington, but those who deserted the Revolutionary Army because of intolerable mistreatment from elitist commanding officers. For Zinn, the voices and stories of ordinary working Americans, immigrants, working people, and soldiers comprise the real storyline of our history.

Featuring essays penned over an eight-year period, A Power Governments Cannot Suppress is Howard Zinn’s first writerly work in several years, an invaluable post-9/11-era addition to the themes that run through his bestselling classic, A People’s History Of the United States.

"Thank you, Howard Zinn. Thank you for telling us what none of our leaders are willing to: The truth. And you tell it with such brilliance, such humanity. It is a personal honor to be able to say I am a better citizen because of you." – Michael Moore

“This brilliant new book – like Howard Zinn’s presence, and his whole life, is the best possible antidote to political despair. Read it, and rejoin the struggle for a human world and a foreign policy that’s good for children.” – Daniel Ellsberg released the Pentagon Papers in 1971 and is author of Secrets: A Memoir of Vietnam and the Pentagon Papers 

"This terrific, strong, incisive book by Howard Zinn provides us with a penetrating critique of current U.S. policies and embraces the sweep of history. As always with Zinn’s work, A Power Governments Cannot Suppress leaves us with the faith that citizens have what it takes to confront power and to reverse the dangerous and unjust acts of our government. Zinn’s inspired voice sets him apart from the dry and dull polemics of too many social critics, which is why so many of us look to Howard as a modern-day Thoreau without the crankiness, but all the eloquence and wit of the original. A Power Governments Cannot Suppress is a very important, highly readable, and timely book that I value tremendously." – Jonathan Kozol, author of  the New York Times bestseller, The Shame of The Nation: The Restoration of Apartheid Schooling in America

“Find here the voice of the well-educated and honorable and capable and humane United States of America which might have existed, if only absolute power had not corrupted its third-rate leaders so absolutely.” —Kurt Vonnegut, author of A Man Without a Country

"Zinn's work exemplifies an approach to history that is radical, regardless of its subject or geographical location. He tells us the untold story, the story of the world's poor, the world's workers, the world's homeless, the world's oppressed, the people who don't really qualify as real people in official histories. Howard Zinn painstakingly unearths the details that the powerful seek to airbrush away. He brings official secrets and forgotten histories into the light and, in doing so, changes the official narrative that the powerful have constructed for us." – Arundhati Roy

“Unlike the thousands of academic historians who are part of the shrill cheerleading squad for America's elites of power and wealth, Howard Zinn is a unique voice of sanity, clarity and wisdom who reads history not only to understand the present but to shape the future. In easily accessible yet profoundly insightful essays, Zinn shows us how to understand our past and how to push away the ideological charades that historians use to reenforce societal cynicism and despair which paralyzes many who might otherwise be engaged in social change work. A Power Governments Cannot Suppress should be read by every American, over and over again.” – Rabbi Michael Lerner is editor of Tikkun Magazine, author of The Left Hand of God: Taking Back our Country from the Religious Right, and national chair of The Network of Spiritual Progressives. 

"Zinn collects here almost three dozen brief, passionate essays that follow in the tradition of his landmark work, A People's History of the United States . . . Readers seeking to break out of their ideological comfort zones will find much to ponder here." – Publishers Weekly

Written by historian, playwright, and World War II veteran Howard Zinn, A Power Governments Cannot Suppress is a scathing attack against America's political and ethical failings, using examples of atrocities America perpetuated in history – from massacres in Vietnam to abuses of Chinese immigrant labor workers to complicity in the genocide of East Timor and much more – to add context to current ills such as the extended toll of the war in Iraq. "There is no certainty as to what would happen in our absence [in Iraq]. But there is absolute certainty about the result of our presence – escalating deaths on all sides." Zinn is firmly anti-death penalty and decries its usage as well. Of especial interest in A Power Governments Cannot Suppress is the author's denouncement of a disturbing tendency to compartmentalize the Holocaust, to forget the millions of non-Jews that were executed along with 6 million Jews, and worse, neglect the occurrence of modern acts of genocide thereby betraying the memory of victims of the Holocaust genocide. A strident call to action, speaking out against governmental and human misdeeds, and vociferously encouraging the reader to stand up and take action. – Midwest Book Review

Howard Zinn grew up in the immigrant slums of Brooklyn where he worked in shipyards in his late teens. He saw combat duty as an air force bombardier in World War II, and afterward received his doctorate in history from Columbia University and was a postdoctoral Fellow in East Asian Studies at Harvard University. Zinn is author of many books, including Original Zinn: Conversations on History and Politics with David Barsamian, and the million-selling classic, A People’s History of the United States.


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Howl on Trial Howl on Trial: The Battle for Free Expression
Edited by Bill Morgan
ISBN 0-87286-479-0
Paperback, 224 pp
$14.95 | Howl's 50th Anniversary
$10.47


The inside story of the publication and defense of Howl in correspondence, documents and photographs.

To celebrate the 50th anniversary of Howl and Other Poems, with over 1,000,000 copies in print, City Lights presents the story of editing, publishing, and defending the landmark poem within a broader context of obscenity issues and censorship of literary works.

The collection includes:

* The complete “The Howl Letters” — correspondence between Allen Ginsberg, Lawrence Ferlinghetti, Jack Kerouac, Gregory Corso, John Hollander, Richard Eberhart, Louis Ginsberg, and others – with first-person insight into Ginsberg’s thinking and the significance
of the poems to the author and his contemporaries.

* Ferlinghetti’s account of hearing “Howl” read at the Six Gallery, of editing the book, and of his court battle to defend its publication.

* A timeline of censorship in the U.S. that places the Howl case in the broader historical context of obscenity issues and censorship of literary works.

* Newspaper reportage, magazine essays, cartoons, photographs, and letters to the editor that illuminate the cultural climate of the mid-1950s, when sexual expression in print was suppressed.

* Excerpts from the trial transcript that show the brilliant criminal lawyer Jake Ehrlich in action.

* ACLU Defense Counsel Albert Bendich’s reflections on the Howl case, and his thoughts about challenges to Constitutionally guaranteed freedoms.

*A look at how the fight against censorship continues today in new forms.

"Featuring extensive trial transcripts, letters between Ferlinghetti and Ginsberg and clips from the San Francisco Chronicle – whose columnists strongly supported Ginsberg, Ferlinghetti and Howl – the book offers a broad perspective. After a brief trial, federal Judge Clayton Horn ruled that Howl wasn't obscene because it had not been written with lewd intent and had 'redeeming social importance.' This set a landmark precedent, enabling the publication of books by, among others, Burroughs, Henry Miller and Vladimir Nabokov." – The Los Angeles Times Book Review

"Howl on Trial uses original sources, from Ginsberg's and others' letters to the trial transcripts, photos and media coverage of the time, and illuminates the private thoughts of some of the protagonists. It's sad, funny, silly and deadly serious in turns and at the same time." – The San Francisco Chronicle

"A fascinating assortment of material-newspaper articles, transcripts, photographs, letters from the principals, commentary-on the 1957 obscenity trial in San Francisco that pitted the 'people' against City Lights, the bookshop that published and sold Allen Ginsberg's Howl and Other Poems. A volume that will appeal to all who cherish their right to read uncensored the outpourings of the human heart." – Kirkus Reviews

"This year is the fiftieth anniversary of Howl and Other Poems, and to read the various volumes issued to celebrate the book's golden jubilee is to be reminded that half a century later, Ginsberg has remained an iconic countercultural figure . . . Howl and Other Poems was, of course, at the center of a landmark legal battle over obscenity (summaries of the battle and a collection of key documents relating to it are available in Howl on Trial: The Battle for Free Expression.)" – Bookforum

"When Allen Ginsberg's Howl and Other Poems was published Nov. 1, 1956, most of the first printing of 1,000 copies was seized by authorities in San Francisco on the grounds that the book was obscene. A year later, Ginsberg's publisher, Lawrence Ferlinghetti, was acquitted of selling obscenity. Fifty years later, more than 1 million copies of Howl are in print. New books about the poet, a gay leftist during the Cold War, include . . . Howl on Trial edited by Morgan and Nancy Peters." – USA Today

"This book is a kind of literary mix tape: a compendium of letters, newspaper articles, trial testimony transcripts, and other archival material that takes you right back to that culturally fraught time, when publishing great art could be considered a crime against society. It's both chilling and enlightening to read through it all." – Marc Weingarten, San Francisco Magazine

"A fitting tribute to Howl on its 50th anniversary, this casebook reprints Allen Ginsberg's landmark poem and collects important sources related to the obscenity trial that followed the 1957 sale of Howl & Other Poems at Lawrence Ferlinghetti's City Lights Bookstore in San Francisco. With chronologies for Howl and "Milestones of Literary Censorship"; highly recommended." – William Gargan, Brooklyn Coll. Lib., CUNY in the Library Journal

Bill Morgan is the author of I Celebrate Myself: The Somewhat Private Life of Allen Ginsberg The Beat Generation in San Francisco and The Beat Generation in New York.

Nancy J. Peters is the publisher of City Lights Books, co-author of Literary San Francisco and translator of Dreams of Dreams by Antonio Tabucchi.


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The Other Campaign The Other Campaign: The Zapatista Call for Change from Below
By Subcomandante Marcos

City Lights Open Media Series
ISBN 0-87286-477-4
Paperback, 120 pp
Bilingual Edition
$8.95
| Marcos & the Zapatistas in the news
$6.27


The Other Campaign is a collection of texts – in English and Spanish – by Subcomandante Marcos and his Zapatista compañeros that articulate a vision for “change from below,” a call to create social change outside and beyond the limits of electoral politics. Rather than depending on what they experience as an irreparably corrupt and out-of-touch political system, the Zapatistas are calling for change to come “from below,” from the power that will be unleashed when unrepresented and marginalized communities join forces.

The book includes a recent interview with Marcos, speeches made by Zapatista commandantes, as well as the full text of the Zapatistas’ “The Sixth Declaration of the Lacandón Jungle,” a collective statement that places the indigenous struggle for democracy in its historical context and articulates an evolving vision for democracy, dignity, and justice. "The Sixth Declaration" was released to the world in September 2005, putting out a call to all Mexicans and to marginalized groups around the globe, inviting them to join in a network of solidarity.

The Other Campaign is the living voice of revolutionary struggle in Mexico today – a passionate and powerful call for the creation of “one world in which many worlds fit.” More than ten years after their emergence as a compelling new voice, the Zapatistas continue to inspire and bring together individuals and groups around the world who believe that “another world is possible.”

"We want to tell all who are resisting and fighting in your own ways and in your own countries that you are not alone. Though small in number, we, the Zapatistas support  you.  We want  to share what we've learned from our own struggles so that our experiences can help further your own work. We want the people of Latin American to know that we are proud to be part of the larger fight for justice.  We remember quite well how the continent was illuminated some years ago by a light called Che Guevara, as it had previously been called Bolivar, because sometimes the people take up a name in order to say they are taking up a flag."

"We want to tell the people of Cuba, who have now been on their path of resistance for many years, that you are not alone, and we do not agree with the blockade. We are going to send you something, even if it is maize, to help your resistance. We want to tell the people of North America we know that your government does not speak for the many citizens who are in solidarity with the struggles of other countries. We want our Mapuche brothers and sisters in Chile to know that we are watching and learning from your struggles. To the Venezuelans, we see how well you are defending your sovereignty, your nation’s right to decide its future. To the indigenous brothers and sisters of Ecuador and Bolivia, you are giving a good history lesson to all Latin Americans, because you are, indeed, putting a halt to neoliberal globalization. To the piqueteros and to the young people of Argentina, we want to tell you that we love you. To those in Uruguay who want a better country, we admire you, and to those who are sin tierra in Brazil, we respect you. And to all the young people of Latin America, what you are doing is good, and you give us great hope." – from the Sixth Declaration of the Lacandon Jungle

"Marcos is the voice for many voices. His words, fashioned from humor and poetry, reveal the deep roots and abundant branches of the Zapatista insurrection in Chiapas. It is an original language for an original movement that is transforming Mexico and is helping to change the world." – Eduardo Galeano

"Reading The Other Campaign changed my life. Fabulous." – Bernardine Dohrn,  former member of the Weather Underground, co-editor of Sing A Battle Song The Revolutionary Poetry, Statements, and Communiques of the Weather Underground, 1970-1974

Subcomandante Marcos is a spokesperson and strategist for the Zapatistas, an indigenous insurgency movement based in Mexico. He first joined the indigenous guerrilla group that was to become the Zapatistas in the early 1980s. Marcos is author of several books translated into English, including Story of the Colors (Cinco Puntos), which won a Firecracker Alternative Book Award, and Our Word is Our Weapon (Seven Stories Press). For more info see: http://www.ezln.org.mx/

Luis Hernández Navarro is a scholar and journalist who writes for Mexico’s daily newspaper, La Jornada.


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Dear President Bush Dear President Bush
By Cindy Sheehan
Introduction by Howard Zinn
City Lights/ Open Media Series
ISBN 0-87286-454-5
Paperback, 144 pp
$9.95 | Cindy Sheehan in the news
$6.97


America’s most famous antiwar Mom speaks out for peace, social justice, and an end to the Iraq War.

Sheehan discusses Martin Luther King, Jr., civil disobedience, US foreign policy, New Orleans, military recruitment, her son Casey’s death on his 5th day in Iraq, soldiers who resist, and her personal transformation into America’s most outspoken advocate for peace. With an introduction by Howard Zinn.

"Remembrances of her son Casey and her reflections on her journey from suburban everymom to antiwar icon offer a glimpse of the woman behind the media figure and of the sense of purpose she feels, one born of inconsolable grief. At one point, she says, 'When my son was killed, I became something fierce . . .'" – San Francisco Magazine

" . . . a new collection of letters, essays, and speeches by antiwar activist Cindy Sheehan. . . . Sheehan is most compelling when she returns to the specifics of her struggle, as when she reveals, 'I wish I had refused to allow my son to go to Iraq. I wish I had knocked him out and taken him to Canada . . . or anywhere far enough away from the war monster. It's too late for me and my son, but it's not too late for you.'" – Mattilda, SF Bay Guardian LIT

“Cindy Sheehan's interviews, essays, and speeches get better with each passing month, as her pain continues, her passion and insight grow, and the war that killed her son goes on – as the president who killed her son goes on being president. Cindy's latest book, Dear President Bush, is the best of the three books by or about Cindy Sheehan that I've read.” – David Swanson, opednews.com


Cindy Sheehan is the internationally known mom and peace advocate whose son, Casey, was killed in action in Baghdad, in April 2004. Since camping outside President Bush’s home in Texas throughout August 2005, Cindy has been interviewed in major media outlets.


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Jumping Over Fire Jumping Over Fire
By Nahid Rachlin
ISBN 0-87286-452-9
Paperback, 224 pp
$12.95
$9.07
Read a recent interview with Nahid Rachlin | Read an excerpt


An Iranian family embroiled in Islamic revolution, the hostage crisis, incest, and exile in America

Forced to flee the country with their parents as Khomeini rises to power, Nora and Jahan Ellahi rise to the challenge of anti-Iranian hostility in America. Breaking free from their intense attachment to each other, they explore new relationships to forge independent lives. The romantic artist Jahan ultimately returns to join the army to fight Iraq, while ambitious Nora finds a life of greater opportunity and personal freedom in the U.S.

“If, as Aristotle reminds us, we are our desire, then who are we if the object of our desire is forbidden? What becomes of us if we are born in one world yet long for another? These are just two of the complex and difficult questions Nahid Rachlin explores and ultimately illuminates in this brave, engrossing, and timely novel. I recommend it highly!” – Andre Dubus III, author of House of Sand and Fog

"Jumping Over Fire is a political novel with a strong dose of Wuthering Heights blended into it . . . potent subject matter . . ." – The Seattle Times

"Complexities of Iranian culture, recent history, and current events create a vivid background for a moving and suspenseful story. . . . wise and timely novel." – School Library Journal

"As always, Nahid's writing keeps you on the end of your seat and is filled with emotion. . . . The story unfolds with surprise. What makes the book even more meaningful is that it is about a family of meager wealth rather than very affluent. It is a family, however, with complications that arise from their new homeland. Do they survive? That is for you to find out." – Persian Heritage Magazine

“Rachlin illuminates the private and public consequences of the Islamic revolution in her latest novel of 20th-century Iranian life . . . she delivers a complex portrait of a divided Iran.” – Publishers Weekly

"This poignant, beautifully told story of an Iranian-American family is both a great read and a fine introduction to a land and a culture about which it is imperative we Americans inform ourselves as much and as quickly as possible." – Sigrid Nunez, author of The Last of Her Kind and For Rouenna, among other titles

Jumping Over Fire is a wise and passionate novel about the vast cultural divide, and how it can lead to divided hearts.” – Hilma Wolitzer, author of Hearts, Tunnel of Love, and The Company of Writers

“An exploration of cultures and cultural differences; of taboos real and imagined; of belonging and isolation — informative, fascinating, beautifully written and, perhaps most important of all – fun to read!” – Tama Janowitz, author of Peyton Amberg: A Novel, and The Slaves of New York

"In the spareness and clarity of her prose, sensuous as well as gritty evocation of everyday sights and smells, and dialogue that conveys the natural tones and rhythms of the Persian idiom, Rachlin dramatizes the contradictions of a nation caught up in a devastating whirl of social, political, and cultural transition of the last few decades, particularly in the lives of women. . . Jumping over Fire presents the sort of nuanced voice which must be heard if Iranians and Americans are ever to understand one another." – Carolyne Wright, author of Seasons of Mangoes and Brainfire (Blue Lynx Prize, American Book Award)

"Nahid Rachlin's narrative weaves Iran's recent tumultuous history with more universal human experiences to create a powerful story of love, politics, and migration. Jumping over Fire is an important addition to the emerging canon of Iranian-American literature and one that reminds us of the complex psychological and political negotiations that have dominated the lives of Iranians and Iranian- Americans in the twentieth century." – Persis M. Karim, editor, Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora

"Besides being 'page-turners', Rachlin's novels render, in abundance, the beauty and sensuousness of Persian culture." – New Letters


Praise for Nahid Rachlin's previous books:


". . . a rare intimate look at Iranians who are poorer and less educated . . . I have read [Foreigner] four times by now, and each time I have discovered new layers in it. The voice is cool and pure. Bleak is the right word, if you will understand that bleakness can have a startling beauty." – Anne Tyler, The New York Times Book Review


“The ecstasies and disillusionments of first love are the stuff of great tragedies and cheap romances, but Nahid Rachlin has done something else with this familiar theme, and something more, though her style is elegantly simple . . . ” – The New York Times Book Review on Married to a Stranger


“It is particularly exciting... to encounter Nahid Rachlin's Veils, a collection of short stories . . . suggestive in intriguing rather than exasperating ways.” – LA Reader


Nahid Rachlin is the Iranian-American author of the novels Foreigner, The Heart’s Desire, Married to a Stranger and the short story collection Veils. She teaches at the New School University and the Unterberg Poetry Center in New York. For more information see http://www.nahidrachlin.com/


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The Yage Letters Redux The Yage Letters Redux
By William Burroughs and Allen Ginsberg

Edited and with an Introduction by Oliver Harris
ISBN 0-87286-448-0
Paperback, 180 pp
$13.95
$9.77


The definitive edition of Burroughs’ epistolary novel about seeking hallucinogenic yage in South America

In January 1953, William Burroughs began a seven-month expedition into the jungles of South America, ostensibly to find yage, the fabled hallucinogen of the Amazon. But Burroughs also cast his anthropological-satiric eye over the local regimes to record trademark vignettes of political and psychic malaise. From the notebooks he kept and the letters he wrote home to Allen Ginsberg, Burroughs composed a narrative of his adventures that appeared ten years later as “In Search of Yage” within The Yage Letters.

That book, published by City Lights in 1963, was completed by the addition of Ginsberg’s account of his own experiences with yage as he traveled through South America in 1960, and by the addition of other Burroughs letters and texts.

For this new edition Burroughs scholar Oliver Harris has gone back to the original manuscripts to untangle the history of the text, telling the fascinating story of its genesis and cultural importance in his wide-ranging introduction. Also included in this edition are extensive materials, never before published, by both Burroughs and Ginsberg that shed new light on their adventures in exploration and writing

“A complete understanding of the literary legacy of William Burroughs and Allen Ginsberg is impossible without reading this amazing collection of letters and documents centered on yage, the fabled hallucinogen of the Amazon. . . . These crucial texts go beyond simple curiosity about mind-changing drugs to set the foundation of what would later become a literary movement that changed American literature.” – Bloomsbury Review

"Burroughs' book about his search for the 'ultimate fix', The Yage Letters, possesses an equally strange and secret history. Published in 1963 but written a decade earlier, it has long been seen as a fascinating curio in the Burroughs canon, yet a new edition of the book, edited by Oliver Harris, places it more centrally in the list of key Burroughs texts.... The Yage Letters marks the point when Burroughs moved full-time into his own, fully realised universe." – The Independent UK

"
... Burroughs relates his seven-month expedition into South American jungles in search of the fabled hallucinogen yage (you know you're a stoner when...). Albeit unusual but still a solid addition to the Beat canon." – Library Journal

"a fascinating travel log written mostly by Burroughs of a trip he made to Peru and Colombia in 1953 to track down the legendary yage vine (also called ayahuasca), valued among the Indians for its telepathic and anesthetic powers. . . . contains letters and poems from Ginsberg to Burroughs from the same region and, in turn, records Ginsberg's more intensely spiritual trips ("visit the moon, see the dead, see God"). When not violently poisoned by the drug, Burroughs attained wild, beautifully rendered hallucinations of the "Composite City," and his reflections on the corruption of government and the insidious spread of disease prove haunting and masterly." – Publishers Weekly

"Placed in the full historical context The Yage Letters can be more completely understood and the working methods of one of the Twentieth Century's most radical writers are revealed as never before. For readers and aficionados of Beat history this new edition is something of a gem." -- Beat Scene

"a rigorously edited, researched, and analyzed version of the book that earlier editions called an "epistolary novel" emerging from Burroughs' 1953 trip to South America in search of the purportedly telepathic drug yagé . . . what could be better than opening up this incredible new edition of Yage Letters and discovering a practically "lost" or recovered book by a favorite author?" – RealityStudio.org

William Burroughs is widely recognized as one of the most influential and innovative writers of the twentieth century. His books include: Junky, Naked Lunch, Queer, The Wild Boys, and The Place of Dead Roads.

Oliver Harris is a professor in literature and film in the School of American Studies at Keele University. He is the editor of The Letters of William S, Burroughs (Penguin) and the 50th anniversary edition of Junky (Penguin).


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Hello, I'm Special Hello, I'm Special
How Individuality Became the New Conformity
By Hal Niedzviecki
ISBN 0-87286-453-7
Paperback, 278 pp
$15.95 | Hear Hal on Minnesota Public Radio
$11.17 | Read a recent interview with Hal


When being a rebel is sanctioned by society, what is left to rebel against?

Hal Niedzviecki has a blunt message for the army of tattoo and piercing enthusiasts, bloggers, skateboard warriors, and anyone else walking around with the smug certainty that they are one of a kind: Individuality is the new conformity.

Niedzviecki’s meditations touch on everything from designer religions to webcasts, from reality TV to the endless “Everybody Is A Star” platitudes of global pop culture. He unearths the amateur underground and shines a spotlight on the self-help industry, Hollywood, and mainstream media. The result is a smart, witty, and impassioned argument that shatters the you-can-do-anything pop myth and exposes the paradox of individualism.

"A blend of cultural analysis, reporting and memoir, Hello, I'm Special is full of sharp and funny observations (most of them somewhere on the spectrum from bemusement to rage) and is generally a bracing read." – Salon.com

“Hal Niedzviecki is truly special, but not in the mass market way. He is one of the wisest, funniest and most acute cultural critics writing today. A sure-footed guide through a surreal landscape.” – Naomi Klein, author of No Logo

"Equal parts Jerry Seinfeld and Thomas Frank . . . an equally gifted fiction writer and social critic, Niedzviecki in his new book gives us everything that makes his brand of literary genius so, well, 'special'. Breaking every hipster's heavy heart by identifying the shared cult of individuality underlying both mainstream and alternative cultures, Hello I'm Special makes an impassioned–and oftentimes hilarious–case for a personality that money just can't buy." – Tikkun Magazine

"Inspired to pen the book after receiving a 'Happy Birthday to a Nonconformist!' Hallmark card from his parents, Niedzviecki realized that the card's existence proved how popular nonconformity had become. . . . Using case studies ranging from a competitive hot-dog-eater to a 'rock and roll' rabbi, the book links society's emphasis on celebrity to everything from anorexia to exorcisms." – 7x7 Magazine

"From Marshall McLuhan to Malcolm Gladwell, Canadian critics of American trends and American media have translated their insights into American popularity. Hal Niedzviecki, a young, radical Canadian intellectual, joins the esteemed procession of cultural critics from north of the border, and just in time to deconstruct the ongoing spectacle of Western civilization in the 21st century. Witty and wise, part journalist, part theorist, Niedzviecki takes up two long-running American themes – conformity and individuality – in his new book, Hello, I'm Special." – San Francisco Chronicle

"
Niedzviecki holds a scalpel to this social monster with analytic precision that evokes Malcolm Gladwell, dissecting a beast we’re all peripherally aware of but haven’t quite articulated. He systematically divides the implications of social flux into bite-size pieces for readers to marvel at before devouring." – Adrienne LaFrance, WBUR

"If everyone wants to be a star, as Hal Niedzviecki suggests is the current slant of popular culture . . . then who will agree to be starred to, or at, or upon? Who will bear the burden of being dazzled by the wondrous presence of our countless wondrous individuals?" – Paul Reidinger, SF Bay Guardian LIT

"From backyard wrestling leagues, Canadian Idol auditions, to self-esteem gurus, Niedzviecki tracks the never-ending quest for human uniqueness. Niedzviecki's examinations yield fertile insights, without sounding overly pretentious. Rather than risk alienating his readers with either verbose references to Situationists, or invocations of the anti-globalization movement, the author wisely looks at our cultural transmitters and how they influence our desires and ideas of the self." – Gerry Donaghy, Powell’s Bookstore

"Add this to the growing list of books in the Malcolm Gladwell (Blink) observations-of-pop-culture genre. . . . witty discussion of how being true to ourselves is not necessarily a good thing. . . . In our longing to be different, and our insistence on being accepted as we (supposedly) march to a different drummer, more often than not we are actually in lockstep with one another, suggests Niedzviecki, sometimes to the point of our own detriment (e.g., it's okay to be obese, as long as you have self-esteem)." – Library Journal

"Hal Niedzviecki, a young bright Canadian . . . [concludes] that most people confronted by the relentless marketers of specialness decide that their only choices are to fight them or join them." – Utne Reader

"Niedzviecki rightfully and painfully illustrates how the pull between competing interests creates bizarre contradictions between consumers and pop-culture-at-large. That's what makes Niedzviecki's groundbreaking new book so refreshing: he reminds us that pop culture itself isn't an absolute means to an end; it's the people who exchange it and want to be a part of it all that remain its most fascinating components. When we entirely lose sight of this fact, we risk being reduced to smiling, slack-jawed spectator caricatures that wouldn't seem out of place shilling plastic AmEx cards. " – Zachary Houle, www.popmatters.com

"I'm Special asks why we all seem to do the same damn thing in the name of individuality. It's about time somebody did." – Kim Hughes, The Toronto Star

Hal Niedzviecki is the founder of Broken Pencil magazine and the author of We Want Some Too: Underground Desire and the Reinvention of Mass Culture. Hal's radio program, "Subcultures," airs Thursdays at 9:30 am (Toronto time). Hear it streamed online on the CBC's website.


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